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  • THIS WEEK: The Haven Players, Stone Cross: Summer Panto! - The Pied Piper of Hamelin

  • Pevensey Scarecrow Festival: Elizabeth Beeney: I wish those who choose to spoil this festival by damaging the scarecrows would be more respectful

  • BUSINESS POST OF WEEK: Castle Inn, Pevensey Bay: VLTGE: Mykee-D on the voice last night

  • LATEST ON JOBSBOARD: Part time staff, Royal Oak and Castle Inn, Pevensey

  • WEEKEND FEATURE: Local Pevensey Bay based musician, Peter Barron, review. latest album, 'Retro Activ'

  • SMUGFEST SATURDAY 17 AUGUST: UPDATE: The wonderful Jane is now performing (solo act and also known as one part Two Hep Cats)

  • Bexhill 60s Revolution: Saturday 13 July: Biggest town-wide 1960s event in the UK

  • Step into summer with 1066 Country: Official tourism news for Hastings & 1066 Country

  • New internal wayfinding signage installed at Eastbourne District General Hospital

  • About Bexhill 60s Revolution: Saturday 13 July 2019

  • East Sussex County Council: Residents warned to be on their guard against new scams

  • Big welcome to Aquafest 2019: Saturday 24 August, live music charity event, nine bands from noon to night at the Aqua Bar in Pevensey Bay

  • Langney Shopping Centre £6.5 million extension takes shape

  • EVENTBOARD: Castle Inn, Pevensey Bay, latest updates

  • Beach Tavern development, Pevensey Bay: After two and a half years, site rots in front of our eyes and Wealden Council does nothing

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THIS WEEK Langney Shopping Centre £6.5 million extension takes shape


COMMUNITY The Haven Players, Stone Cross: Summer Panto! – The Pied Piper of Hamelin


JOBSBOARD Part time staff, Royal Oak and Castle Inn, Pevensey

sandberg set up pics

Opens Saturday 30 April
until Sunday 4 September
Tickets: Free entry
Booking & Information:
01424 229 111

Curated by Carolien Glazenburg, Stedelijk Museum, Amsterdam, in collaboration with Fraser Muggeridge and De La Warr Pavilion.

De La Warr Pavilion is proud to present Willem Sandberg: from type to image, the first UK survey of an internationally renowned icon of graphic design. Sandberg was director of the Stedelijk Museum in Amsterdam from 1945 to 1963 where he championed new artists, developed one of the most important collections of modern art in Europe and implemented radical transformations of the Museum’s environment. He designed hundreds of posters, catalogues and cards for the Museum’’s exhibitions, as well as stationery and other publicity materials.

Willem Sandberg: from type to image showcases Sandberg’’s entire body of work from the 1930s to the 1980s for the first time in the UK. The exhibition tells the story of how he transformed text into image to create a unique graphic language, including his use of ‘warm printing’ experimental typography and the incorporation of simple materials and reuse of existing print matter in his work. Sandberg’’s distinctive designs are characterised by asymmetric typography created from fonts, ciphers and the rough contours of shapes torn out of paper.

As World War II began, Sandberg secreted the Stedelijk Museum’’s collection in a vault inside dunes located close to the sea. He was actively involved in the Dutch resistance movement, designing forged identity cards and planning an attack with other artists on the Central Civil Registry Office that held records of the city’’s Jewish residents. Though the attack was partly successful, almost all of Sandberg’’s co-conspirators were betrayed and executed. He escaped and went into hiding where he began the Experimenta Typografica, handmade booklets in which he collected inspirational quotes in diverse typographic styles, which laid the foundation for his future design work.

Sandberg curated landmark exhibitions for the Stedelijk including Abstract Art (1938), Cobra (1949), Bewogen beweging (Art in Motion) (1961) and Dylaby (Dynamic Labyrinth) (1962). Under his reign the Museum purchased important works by Van Gogh, Cézanne, Monet, Kokoschka, Picasso, Léger, Mondrian, Malevich, Moore and Calder. The Museum also began collecting photography in 1952, which was very unusual for the time. In other pioneering projects intended to create a more convivial atmosphere in the Museum, Sandberg introduced film screenings, live music and an education programme, and opened a library, reading room and restaurant.

After his retirement from the Stedelijk Museum in 1962, Sandberg worked and lived in Jerusalem from 1964 to 1968, helping to create and launch the Israel Museum. Later he was part of the design committee for the Pompidou Centre in Paris. He continued working as a graphic designer until his death at the age of 86 in 1984.


De La Warr Pavilion
Marina
Bexhill On Sea
East Sussex
TN40 1DP
Box Office and Information: 01424 229 111 or
General Enquiries: 01424 229 100 or