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  • THIS WEEK: The Haven Players, Stone Cross: Summer Panto! - The Pied Piper of Hamelin

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THIS WEEK Langney Shopping Centre £6.5 million extension takes shape


COMMUNITY The Haven Players, Stone Cross: Summer Panto! – The Pied Piper of Hamelin


JOBSBOARD Part time staff, Royal Oak and Castle Inn, Pevensey

blackkklansman-poster
BlacKkKlansman
Running time:
135 minutes

BlacKkKlansman
Cineworld Eastbourne: dates, times, prices

From visionary filmmaker Spike Lee comes the incredible true story of an American hero.

It’s the early 1970s, a time of great social upheaval as the struggle for civil rights rages on. Ron Stallworth (John David Washington) becomes the first African-American detective on the Colorado Springs Police Department, but his arrival is greeted with skepticism and open hostility by the department’s rank and file. Undaunted, Stallworth resolves to make a name for himself and a difference in his community. He bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan.

Posing as a racist extremist, Stallworth contacts the group and soon finds himself invited into its inner circle. He even cultivates a relationship with the Klan’s Grand Wizard, David Duke (Topher Grace), who praises Ron’s commitment to the advancement of White America. With the undercover investigation growing ever more complex, Stallworth’s colleague, Flip Zimmerman (Adam Driver), poses as Ron in face-to-face meetings with members of hate group, gaining insider’s knowledge of a deadly plot. Together, Stallworth and Zimmerman team up to take down the organization whose real aim is to sanitize its violent rhetoric to appeal to the mainstream.

Director:
Spike Lee

Spike Lee’s BlacKkKlansman is a broad satirical comedy of the 70s American race war, and a parable of passing for black and passing for white – based on the true story of Ron Stallworth, the black Colorado police officer who masterminded the infiltration of a local KKK chapter by posing as a white bigot over the phone and sending in white officers for face-to-face work.

With Lee’s knockabout treatment, this stranger-than-fiction story lights up like a barroom pinball machine, pinging and flashing and clattering with N-bombs, blaxploitation tropes, strategic anachronisms and unsubtle premonitions of the New Trump Order.
—Peter Bradshaw, Guardian